Rebecca develops and produces new theatre, also specialising in audience development and arts marketing strategy. She champions stories that capture empowerment and joy.
Rebecca currently works with Stockroom Productions and Boundless Theatre. She is also co-director of Teastain Theatre, producing experimental new writing.
Recent Teastain Theatre credits include: Tap Root (Director, The Glitch); Thirst (Director, Vault Festival) and Untitled Sparkly Vampire Play (Producer, Omnibus Theatre). With Stockroom she has worked on marketing strategy for Alice in Wonderland (Liverpool Everyman & Playhouse), The Glee Club (UK Tour) and Dead Air (Riverside Studios).
Recently she was a writer on Liverpool Royal Court's Stage Write Development Programme and Chair of the Board of York Theatre Royal's festival TakeOver. She has previously worked with Leeds Playhouse, Pilot Theatre and Tmesis Theatre.