Rebecca develops and produces new theatre, with a background in new work script development and audience strategy. She champions stories that capture joy, and intimate stories with large impacts.
She is Co-Director of Teastain Theatre, producing experimental new writing. Recent Teastain Theatre credits include: Tap Root (longlisted for the Women's Prize for Playwriting) (Director, The Glitch); Thirst (Director, Vault Festival) and Untitled Sparkly Vampire Play (Producer, Omnibus Theatre). She now works across projects at the new North London venue: Collective Theatre.
Rebecca has worked with: Stockroom (formally Out of Joint), Collective Theatre and Boundless Theatre on Audience Development and Communications strategy. She was also a writer on Liverpool Royal Court's Stage Write Development Programme and Chair of the Board of York Theatre Royal's festival TakeOver. She has previously worked with Leeds Playhouse, Pilot Theatre, Without Walls, Walk the Plank and Tmesis Theatre.
For Stockroom (formally Out of Joint), she has worked on Influence (Collective Theatre, Dir. James Hillier), Alice in Wonderland (Liverpool Everyman & Playhouse, Dir. Kate Wasserberg), The Glee Club (UK Tour, Dir. Kate Wasserberg) and Dead Air (Riverside Studios, Dir. Debbie Hannan).